![]() Can we go in this direction?'" Langer recalled in Complicated Shadows.) He just ultimately thought better of the whole process, describing "Everyday I Write the Book" as a "kind of a hack pop song. ("Elvis would come in and say, 'I'm listening to Marvin Gaye. To be clear, Costello wasn't an unwilling participant at the time. "I was quite happy with it and I tried to do it in a kind of lover's-rock type arrangement, and I wasn't happy with it and then ended up putting this other kind of rhythm to the song." Elvis Costello Breaks Through in the U.S. I thought, maybe I could write just a simple, almost formula song and make it mean something," Costello told interviewer Simon Grigg in 1998. ![]() "It was a song I wrote in 10 minutes, almost as a challenge to myself. The completed single ultimately "borrowed a few touches from the R&B styles of the day," he added, unhappily. "In rehearsal, Clive guided us towards an arrangement that was unlike anything we had ever recorded," Costello said. Watch Elvis Costello's 'Everyday I Write the Book' Video Back then, they viewed it as "a spoof Merseybeat tune," Costello said in the liner notes for a reissue of Punch the Clock. The song was written on a September night and then performed at the very next show. Costello had been road-testing the lead single from Punch the Clock onstage since a fall tour with bassist Bruce Thomas, keyboardist Steve Nieve and drummer Pete Thomas. "Everyday I Write the Book" was transformed. READ MORE: Ranking Every Elvis Costello Album This approach couldn't have been more different from his straightforward sessions work with Nick Lowe, who'd produced or co-produced Costello's first five albums beginning with 1977's My Aim Is True. Costello didn't remember using a single live vocal. Elvis Costello's New Sessions Approachįor the first time, the Attractions completed backing tracks before proceeding to overdub sessions. They handpicked the songs for Punch the Clock and ordered endless retakes. By then, Langer and Winstanley had already deeply inserted themselves into Costello's creative process. Wyatt's version didn't gain traction until the following May, reaching the U.K. Costello and Langer had co-written "Shipbuilding" for Soft Machine's Robert Wyatt, who released the single in August 1982. The pairing wasn't as unlikely back then as it may seem today. I was interested in the whole idea that Elvis could make incredible pop music." ![]() "I wasn't very interested in recording the band, you know, as just as a band. ![]() "I was really excited by the idea that Elvis Costello could make a calculated pop record," Langer said in 2006's Complicated Shadows: The Life and Music of Elvis Costello. Enter buzzy producers Clive Langer and Alan Winstanley, who were riding high after collaborating on contemporary hits by Madness, Dexys Midnight Runners and others. ![]()
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